JS Bach
Nun ist das Heil und die Kraft BWV 50
Trauerode: Lass, Fürstin, lass noch einen Strahl BWV 198
Herr Gott, dich loben alle wir BWV 130
Brandenburg Concerto 6 BWV 1051
The vivid story of the victory of the St Michael and his army of angels over those of the dragon Satan, told in the Book of Revelation, inspired Johann Sebastian Bach to great heights of invention. His 200-odd surviving cantatas must be considered as one of the greatest collections of musical art of any age, but those for the Feast of St Michael and All Angels (29th September) stand out even in this outstanding field.
The sheer vigour and thrill of the opening movements of Es erhub sich ein Streit BWV 19 and Herr Gott, dich loben alle wir BWV 130 set them apart. The bombast of the ‘old dragon, burning with envy’ is painted by the audacious combination of bass soloist with just continuo, three trumpets and timpani. And in the tenor aria ‘Bleibt, ihr Engel, bleibt bei mir’ (Stay, ye angels, stay by me), Bach weaves one of his most magical musical textures, a siciliana, for strings and clarino trumpet chorale, of almost unbearable beauty.
SOLOMON’S KNOT
Soprano Zoë Brookshaw, Clare Lloyd-Griffiths
Alto Kate Symonds-Joy, James Hall
Tenor Thomas Herford, David de Winter
Bass Alex Ashworth, Jonathan Sells (artistic director), Tristan Hambleton, Timothy Dickinson
Violin I George Clifford (leader), Rachel Stroud
Violin II Gabi Jones, William McGahon
Viola Joanne Miller, Nichola Blakey
Gamba Anna Lachegyi
Gamba / Cello Kate Conway
Double Bass / Gamba Jan Zahourek
Lute Andrew Maginley, Toby Carr
Flute Eva Caballero, Marta Gonçalves
Oboe Daniel Lanthier, Shai Kribus, Noelia Melián Cruz
Bassoon Inga Maria Klaucke
Trumpet Russell Gilmour, William Russell, Gareth Hoddinott, Sam Kinrade
Timpani Rosemary Toll
Harpsichord & Organ James Johnstone
